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Student profile Emily Houghton

Nationality: British
Course: Drama Foundation
Where is she now? Royal Academy of Dramatic Art (RADA), London


Foundation Drama: professional actor training

CSVPA Foundation drama studentsCSVPA Foundation Drama students

Cambridge School of Visual & Performing Arts (CSVPA) is acknowledged to be one of the best drama schools offering foundation drama in the UK. Our longstanding association with the Royal Academy of Dramatic Art (RADA) provides us with a unique opportunity to offer our students an intensive three term theatre training programme, combining comprehensive audition coaching and direct contact with the London theatre industry, all based at our campus in the centre of Cambridge. 

The ONLY drama school associated with RADA

"The combination of individual attention and top teaching that students receive at CSPVA enables their growth both as performers and as human beings."
Brian Stirner, RADA

Under the mentorship and guidance of our RADA approved lecturing staff, who are themselves practicing theatre professionals, our students train in a variety of disciplines and are challenged to grow both professionally and personally.  

CSVPA is the first and only foundation drama programme in the UK to be associated with RADA.

Here are just a few of our 2009 student results:

STUDENTGRADESDESTINATIONSTUDYING
Cate Cammack, BritishDistinctionBristol Old VicActing
Simon Every, BritishDistinctionDrama Centre (Central Saint Martins)Acting
Jimin Suh, KoreanDistinctionRoyal Scottish Academy of Music and DramaActing
Chris McKay, BritishDistinctionBristol Old VicActing
Alice Bounsell, BritishMeritMountview Academy of Theatre ArtsActing
Daniel Abbot, BritishMeritMountview Academy of Theatre ArtsActing 
Graeme Charlton, BritishMeritRoyal Scottish Academy of Music and DramaActing
Charlie Russell, BritishMeritLAMDAActing
Henry ReganMeritMountview Academy of Theatre ArtsActing

Why train at CSVPA?

  • Dynamic teaching which aims to develop skilled performance artistry in the students undertaking training.
  • Direct connections to the professional theatre industry through both RADA and our lecturing staff.
  • High drama school acceptance rate.
  • Maximum of 16-20 students per academic year.
  • Ongoing audition coaching, integral to the three terms
  • Substantial one-to-one tuition in voice, movement, acting, singing and dance.
  • Opportunities in each of the three academic terms to apply training to audience attended performances which include devised theatre, cabaret and a full scale production.

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The programme

The CSVPA / RADA foundation programme consists of 35 – 40 hours per week of lecturer driven practical tuition and is divided as follows:

DisciplineContentWeekly time allocation
Acting
Acting theory, monologue work, scene study, improvisation, devised theatre, group and individual coaching
12 hours
VoiceDevelopmental vocal technique, classical text work, articulation, r.p.6 hours plus one-to-one tuition
MovementBody work, exploratory movement and applied movement theory (eg. Laban, Lecoq, Oida)5 hours
DanceDance technique (jazz, tap, ballet) and dance for musical theatre4 hours
SingingMusical theatre singing training2 hours plus one-to-one tuition (optional)
Professional PreparationAudition technique, presentation skills, theatre industry information1 hour
Practical Theatre HistoryThe study and practical exploration of theatre history2 hours
Open Studio SessionsIndependent and group studio sessions focusing on projects and assignments5 - 7 hours

In addition to the above, students are also provided with the following:

  • drama school audition preparation
  • a fully staged third term production (past productions include: The Threepenny Opera, The Government Inspector, The Merry Wives of Windsor and A Midsummer Night’s Dream)
  • coaching for RADA Shakespeare Certificates
  • RADA master classes (at CSVPA and RADA's  London campus)
  • external master classes (past sessions include: Frantic Assembly, Jeremy Stockwell, Hoipolloi)
  • lectures with RADA alumni (*new for 2008/09 students)

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Lecturing staff

Jean Stewart
Head of Drama & Performing Arts


Jean manages and teaches on the Drama Foundation bringing with her more than 20 years of professional experience. 

Jean trained at The Royal Scottish Academy of Music and Drama and Glasgow University. She has worked in theatre in education both here and in Europe (Spain and Germany) for over twenty years. She has experience working in community theatre with adults and in developing new writing for young people through the National Theatre Connexions programme, working on plays such as Friendly Fire by Peter Gill. More recently Jean acted with Menagerie Theatre Company during their 2006 season of New Writing. 

Jean has been director of the drama foundation for four years and teaches the acting element of the course. She has directed a diverse number of plays throughout her career most recently Shakespeare's The Merry Wives of Windsor, Gogal's The Government Inspector and The Threepenny Opera in the summer of 2008 for the Drama Foundation programme.

Rebecca Cuthbertson
Voice Lecturer


Voice coaching includes: John & Jen (Finborough Theatre), A Memory, A Monologue, A Rant and A Prayer (London premiere), A Devilish Exercise (The Rose Theatre Trust), Timon and Beckett’s Shorts (Central School of Speech and Drama), Comedy of Errors (Creation Theatre, Oxford), Full Frontal Diva (Finborough Theatre). Lecturing: Cambridge School of Visual and Performing Arts and East 15 school of acting. Private coaching includes: developmental voice, text for audition and dialect/dialect-reduction.   Education: MA in Voice Studies from Central School of Speech and Drama, Bachelors degree in Education, BA (Hons) English Literature and Theatre Arts.

Bruce Knight
Singing Lecturer

Bruce studied singing and piano at the Royal Academy of Music. Since leaving he has worked as singer, keyboard player and musical director throughout the world, with many well-known artists including Liza Minnelli, David Hasselhoff, Jose Carreras, and Sir Cliff Richard. 

Bruce has made recordings for the BBC and Channel 4, and has played keyboards in the London productions of “Blood Brothers”, “Peggy Sue Got Married” (the Rod Stewart musical), “Tonight’s the Night” and “Batboy”. Having just returned from Cyprus with a production of “West Side Story” for the larnaca International Festival, Bruce is currently working on “Joseph and the Amazing Technicolor Dreamcoat” at the Adelphi Theatre. He was also the rehearsal pianist for the critically unacclaimed West End production of “Behind the Iron Mask” as musical director. Bruce has worked for many production companies, including the Broadway Musical Company, New York, and Holland America cruise lines. He has also acted as musical director for the Royal Academy of Music on their Musical Theatre course.

Christopher Lane
Movement Lecturer

Theatre directing includes: John & Jen (UK premiere. Finborough Theatre, London), A Memory, A Monologue, A Rant and A Prayer by Eve Ensler (London premiere), A Devilish Exercise: Conjuring Marlowe at the Rose (Into The Breach Theatre and The Rose Theatre Trust), Timon (a site-specific adaptation of Shakespeare’s Timon of Athens), Beckett’s Shorts (an anthology of Samuel Beckett: play, not i, rough for theatre i). Lecturing UK: movement studies for CSVPA and Central School of Speech and Drama. Lecturing Canada: Brock University, Theatre Aquarius, the Hamilton Wentworth board of education. Education: MA in Directing with distinction from Central School of Speech and Drama, Bachelor’s degree in Education, BA (Hons) in History. 

Bernadette Wilfred
Dance Lecturer

Bernie trained at the London Studio Centre in dance, drama and musical theatre. She has worked professionally in theatre, TV and as a choreographer for the past fifteen years. Her latest credits include Lady Capulet the British Shakespeare Company’s “Romeo and Juliet”, woman 1 in “The Vagina Monologues”, and “Learners” for BBC films with David Tennant and Jessica Hynes.


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Our success rate

One of the indicators of the success of this programme can be found in the acceptance rate of our students into drama schools.  Over the past three years we have had students leave us to attend RADA, LAMDA, Bristol Old Vic, The Drama Centre, Guildhall, East 15, Rose Bruford, RSAMD, Mountview, ALRA and The Lecoq School of Mime as well as drama schools in New York, California and Madrid.


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Audition process

Auditions take place throughout the year in Cambridge and London and placement offers are generally given out on a rolling basis. We also occasionally audition in New York.

If you are unable to attend auditions in person, we also accept video / DVD submissions.

Application packages & auditions can be arranged by contacting admissions at:

Cambridge School of Visual & Performing Arts

Bridge House

Bridge Street
Cambridge
UK
CB2 1UA


Tel: +44 (0) 1223 345698

Fax: +44 (0) 1223 346181

Email: admissions@ceg-uk.com 


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Gallery

Click on the posters below to view our photo galleries.

Productions


Murder in the Cathedral              Absolute Dischord poster        Merry Wives of Windsor
Murder in the Cathedral      Absolute Discord           The Merry Wives of Windsor
by T. S. Eliot                        by various authors        by William Shakespeare

Studio Work

Threepenny Opera in rehearsal
The Threepenny Opera - in rehearsal
by Bertoldt Brecht


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RADA Shakespeare Certificates explained

The RADA Shakespeare Certificates, at bronze, silver and gold levels, provide a benchmark for students wishing to improve their techniques and their confidence in delivering complex language. Each term there will be opportunities to prepare for, and take, these highly regarded qualifications.

The certificates are awarded following a successful presentation before RADA examiners at specially arranged examinations in Cambridge.

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Royal Academy of Dramatic Art (RADA)

The Royal Academy of Dramatic Art (RADA) is the UK’s leading school for the dramatic arts. Courses at RADA include a BA (Hons) in Acting, validated by King’s College, London, and Graduate Diplomas in Theatre Technical Arts.

RADA alumni include: Sophie Okonedo, Matthew Macfadyen, Clive Owen, Maggie Gyllenhall, Ioan Gruffudd, Ralph Fiennes, Michael Caine, Gemma Arterton, Sean Bean, Kenneth Branagh and many more...


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Entry requirements

Age: 17+

Academic level: A-level drama or equivalent. Professional experience will be considered in addition to the above.

English Language level: Fluent spoken English. IELTS 5.5+

Don't have IELTS 5.5? Find out about the International Drama Foundation

Course details
Course length: 3 terms

Hours of study: 35-40 hours per week plus individual acting, dance and singing lessons as required

Entry date: 31st August 2009

NEW extended start dates:
start any time until 19th October



Drama Foundation students at work


Drama Foundation students at work


Drama Foundation students at work


Drama Foundation students at work


Drama Foundation students at work


Drama Foundation students at work


Drama Foundation students at work


Drama Foundation students at work


Cambridge School of Visual & Performing Arts is a subsidiary company of Cambridge Education Group Limited, Registered in England 06020370. Registered Office: Third Floor, Sidney House, Sussex Street, Cambridge CB1 1PE UK. © 2008 Cambridge Education Group Limited. All rights reserved.